JOURNAL

WRITINGS, POEMS & SPOKEN WORD



WEE SPIDER

WRITTEN FOR A FRIEND AND PERFORMED AS PART OF SATURDAY SPOKEN WORD 2020


From the beginning

There was one wee spider

On the window

The exact same place every day

Every night

I could see it against the streetlight

Small and delicate

Spinning and bopping on the web

 

Why are we scared of something so small?

So delicate

As it crawls along the wall

Why does its shape,

its legs terrify us?

Because we’re told to fear what you don’t fully understand

 

Now two wee spiders

Another has came along

Almost identical

It’s amazing the way they work

 

They’re keeping apart

One keeps to the corner

The other keeps to the middle of the window

Social distancing

Social spidering

 

The wind blows their creation

The rain lashes it

and things stick to it

One day a massive complex structure

Another day nothing is left

Amazing how it keeps just building and building again and again from scratch

 

One day I see the new spider has caught a fly

It takes it quickly and scuttles away up into the window frame

Did the first spider get anything

 

For months I saw this spider and that other spider

For the last few days I’ve not seem them at all

Maybe they know I’m watching.


 

THE BREATH OF KINDNESS 

WRITTEN AND PERFORMED FOR SATURDAY SPOKEN WORD 2020 

 

That warm glow.

That sudden rush.

Like a tingle.

A soft spark.

A reaction that feels gradual, slow and soft,

yet is so quick and forceful,

That smile starts,

That brimming from ear to ear, eye to eye.

The mouth widening.

The face releasing. 

That tear

in one eye,

then the other.

The sniff in.

It holds you for a moment.

Tight and tense.

The tear drops.

That exhale of breath.

Letting it out.

Collapsing into it.

The tears now flowing.

The body uncontrolled.

Your breath shudders.

Breathe it in again, and again.

That’s kindness.




THE CURRENT CONSTANT 

WRITTEN AND PERFORMED FOR SATURDAY SPOKEN WORD 2020

 

Contact, communication, connection.

A conceived or coincidentally constant cycle of keeping in touch.

Keeping out of touch.

The crackling of voices over a screen.

The slowing down and then the going.

Locking in to lock out.  Locking down and looking up.

Grateful for the good and the great.

The small moments and the meaningful words.

The decided and the indecisive.

Emotions showing more with even less.

Learning in the now and not knowing what’s next.

Time is now more than ever in the now.

What seems so long can seem like nothing at all.

Wants and needs.

We need to want.

What we do need,

we cannot want.

The mind thinking and the body considering.

One impulse however seems against the other.

Ironically a survival shaped science of an unknown sport where have the wrong balls.

In which we have parted ways, becoming smaller yet underneath becoming larger.

This new sexuality, where we are in our bedrooms, where we have become the fluff from the hair we cut, we sit our bum, on the floor, the grass, a table, a kerbside, a doorstep for a sheer difference.  We see a jug and a bowl in a different light, we are in a garden with a sausage and we are in a cinema but we are the screen.

 

 


HUG

WRITTEN AND PERFORMED FOR SATURDAY SPOKEN WORD 2020

 

There are many different types.

Different ways.

They have all one thing in common though.

Three stages.

The enter, the embrace and the exit.

Time, duration, intensity and temperature all vary

It’s said twenty seconds at least is needed to really feel a hug.

To release the bonding hormones.

 

Think back to the last time you shared a hug.

The most recent one you remember.

 

How did it begin?

A turn, a step in

A walk towards

A pause?

Arms stretched out.

To hold.

Or body made smaller.

To be held.

Entering a hug can be a negotiation.

Often quickly though, on impulse.

Without a thought? Or with subconscious thought?

An instinct, a feeling.

Do we agree in advance, “let’s hug!”

Is there a look, an unspoken signal.

 

Sometimes this is where it can get awkward

In a nice or funny way too.

The actual embrace.

Arms everywhere

Lower or higher.

Shoulders, in, out.

Waist?

Hips?

Heads to the side.

Which side?

Eyes closed.  Eyes open.

 

Once in how long do we stay?

Do we move?

Do we pat or rub the back?

A squeeze or a light soft touch?

Is there a heat? Is that normal. 

Is there a coldness

Is that normal?

The embrace is often the thing that gives the most benefit but that we rarely understand how or why it happened as it did.

 

You often think about how the other body feels to you.

Do you think about how it is feeling because of you?

How does your body feel?

Are you hugging the person, them hugging you or are you hugging each other?

 

Exiting can sometimes come with an automatic sense of relief or release. 

A decompression.

Like a muscle has been tensed and then released

Air comes between the bodies again, arms widen and a step is taken back.

 

It’s funny how it happens naturally

In a short space of time

For a moment.

What a funny thing

What a funny, fuzzy, feeling thing. 

A thing to be done as often as possible.

 



WHAT YOU ARE TO ME

WRITTEN FOR MYSELF 


You are my frustration 

My liberation 

My mirror

My reverse

My focus and clarity

My confusion and questions 

My thinking

My distraction

What am I to you?



SMALL GRACES 

WRITTEN FOR A FRIEND - JAN 2019


Like wee trees, our foundations are strong

Our branches may not be seen high amongst many others, 

We are rooted in to a deeper level

Leaves will change colour and fall to the ground 

Not to die or be gone forever

But to enrich and strengthen the roots below

Branches will blow in the wind and be drenched in the rain 

Only to grow stronger in the Spring again

Like a bridge over troubled water 

And when darkness comes, rattling 

We will play, create and inspire each other 

Until the time to shine has come 

Fair play to you and fair play to me 

Always a carry oan we will see 

If you need a friend

I will ease your mind 

I’m sailing with our small graces right behind 




GET UP

USED AS PART OF 29 30 PERFORMANCE IN 2019 


Get up you brave coward!

From your open-eyed slumber.

Rattling with the racing mind of your empty head.

Come down from your deep hole high in the sky. 

Say hi to the world that’s beneath you, above you and all around you.

Get up! 



WHAT DO I NEED

USED AS PART OF 29 30 PERFORMANCE - DEC 2019 


Is this forever.

Sitting here.

Again.

Feeling it envelope me.

Feeling like, me.

Is it really just me. 

Can you feel it too?

Or am I just creating something. 

Out of a need for something else.

What is my something, my someone?

What do I need?

It’s funny when people ask,

When they try to help.

There’s nothing they can do is there?

There needs to be a willing. 

A trying,

A rising up and away.

A total change from this.

Rattling in my head.

The jingle jangle tangled mess.

The rumble of this tired jumble.

It sounds poetic.

It feels crippling. 

Can you feel it too?

Or am I just hearing because the silence is deafening. 

What is my something, my someone?

What do I need?

It’s funny when people ask.

When they try to help.

There’s nothing they can do is there?

Somehow they can’t see it.

And I can’t say it 

But I know it makes it easier when it’s lifted.

Up and away.

This warm crushing on my heart.

Warm is meant to be soothing. 

But I can’t breathe .

Or am I just feeling because I’m scared to feel.

What is my something, my someone?

What do I need?

It’s funny when people ask.

When they try to help.

There’s nothing they can do is there.



NEW YORK SUBWAY LADY

WRITTEN AFTER A TRIP TO USA 2019


I was looking all around for a face or for many?

Someone to notice me there, to hear me here. 

In this tin can speeding through a tunnel in a land I was a stranger to.

With my drunken determination. 

My warm, blissful ignorance of hope.

And there you are, were. An unknown face.

Cutting through me like a knife with your knowing stare. 

A stare I didn’t know was there.

A connection that felt more than skip deep.

Healing me just as soon as it sliced.

A painful smile. Each bruising, battering blink of an eye.

You had listened to my silent call that fell flat with everyone else.

In the silence, your look shouted at me like the screech of the tracks.

The sudden stop at a station. 

You shouted, sweetly, soundlessly in a way that accepted me.

Congratulated me on my fail and appreciated my attempt to break through the silence.

The silence stays.

The sadness at the thought of never seeing you again.

Of you never seeing me?

Or do you see me every day?

What do you see.

Speak.

The doors opened and closed. 

As they have a million times. A million faces. A million more.

Two worlds we’ve become, again.

I hope when I sober up, waken up, I’ll remember you.

Or remember how you felt.

How someone in a world of everyone, 

Can make you feel like nothing and like everything at the same time. 

Thanks New York Subway Lady. 

I’ll always forget your face